Affinity Designer vs VectorStyler



  • @Ingolf I suspect, at least in part, one reason Affinity performs so well is that the rendering to the display is not forced to be accurate. In too many instances I've had to recheck my source or export for even very small images because my viewport is blurrier even if I open the file straight from the OS, with no changes (yet). Yes, even at 100%.

    Other programs may be slower, but at least I can fully trust what their engine shows on my display and it is consistent.



  • @debraspicher said in Affinity Designer vs VectorStyler:

    @Ingolf I suspect, at least in part, one reason Affinity performs so well is that the rendering to the display is not forced to be accurate. In too many instances I've had to recheck my source or export for even very small images because my viewport is blurrier even if I open the file straight from the OS, with no changes (yet). Yes, even at 100%.

    Other programs may be slower, but at least I can fully trust what their engine shows on my display and it is consistent.

    Adobe Illustrator's rendering is accurate with a very good performance, although no vector graphics software has beaten Macromedia Freehand's performance yet.



  • @debraspicher said in Affinity Designer vs VectorStyler:

    @Ingolf I suspect, at least in part, one reason Affinity performs so well is that the rendering to the display is not forced to be accurate. In too many instances I've had to recheck my source or export for even very small images because my viewport is blurrier even if I open the file straight from the OS, with no changes (yet). Yes, even at 100%.

    Other programs may be slower, but at least I can fully trust what their engine shows on my display and it is consistent.

    Oh. Not a problem in my work, never battled with that issue.



  • @gotanidea said in Affinity Designer vs VectorStyler:

    Adobe Illustrator's rendering is accurate with a very good performance, although no vector graphics software has beaten Macromedia Freehand's performance yet.

    Not my experience but my stuff if seriously complex. Importing it into Illustrator never was an impressive experience.

    But I do appriciate if the rendering can be configured to be extremely accurate or not because I don't need it that much during the many, many hours of working, zooming, panning, adjusting. I need a responsive and ultrafast update.



  • @Ingolf said in Affinity Designer vs VectorStyler:

    Not my experience but my stuff if seriously complex. Importing it into Illustrator never was an impressive experience.

    But I do appriciate if the rendering can be configured to be extremely accurate or not because I don't need it that much during the many, many hours of working, zooming, panning, adjusting. I need a responsive and ultrafast update.

    Let me explain for the record. I get the feeling this thread will age very well.

    For my case, it's less important that the viewport is incredibly accurate for vectors while working, but when I check the work, I have to have the control to see the accurate result should I need to. Some of that is down to adding my personal touch to curves but also technical requirements (pixel-hinting smaller graphics).

    There is a long-standing bug that affects my setup where AD will show "Pixel Mode" as a 200% view if I have a DPI scale =>150%. I must use Retena because it will show the proper view, but then also trust a new bug won't appear in its place, so I just altered my DPI scale OS-wide at a smaller scale to compensate. I'd run into so many bugs using Affinity software that I basically don't trust their products anymore for anything mission critical.

    For Photo, I guess because the design of Layers are vector-based, they also may not display accurately during viewport fits in Windows. It's so subtle it can look like the image is of lesser quality or is compressed, but it's detrimental to understanding what will happen with the end result clarity-wise (especially with any filters). Photo's viewport is very unreliable for me. When this happens, I can be overworking an image without realizing it or missing details I could have worked with sooner to come out with a better final product."

    Edit: Anyway, I don't intend to beat any drums. I do want to share details like this because it better illuminates on my own use case.



  • I completely agree. I'm just advocating for understanding how good, good performance is, and it's probably hard to compare programs that are structured differently.

    What I really appreciate about Affinity is that it delivers superb performance and fundamentally renders what I draw in very, very high quality and updates instantly. I NEVER have pixel view turned on, and I use view without FX to give the computer a break more than to get better performance. That’s how quickly Affinity draws the user interface on my M1 and M2 Mac. And even on older Windows machines.

    So, it's utterly surreal when I move the illustration over to other programs as pure vector, and these programs struggle to render it in something that can be remotely compared to Affinity.

    I'm not looking for programs that continuously optimize one function or another to draw a bit faster, but fundamentally can display and update my work quickly in high quality. While I work, they may well cheat a bit with visual tricks, because I can't use anything that involves a total recalculation of everything I see every time I zoom or change something. If I have a HQ rendering option too, I'm good to go.

    The classic preferences for rendering quality that no one understands, which are also in VS, are not understood or used by the average users. There is probably more need for Draft, Normal, and High Quality versions, where only draft is visibly worse.

    But long story short, performance is important for us who do complex things, and for me to work meaningfully and see how it roughly ends up, it needs to be fast and look reasonably final. Affinity has shown that it's possible to come close with really good performance.



  • @fde101 said in Affinity Designer vs VectorStyler:

    AD also has an entire company behind it (maybe two now?) where VS is a single developer. If someone at Serif gets hit by a car and dies today, there are others who can take their place, and the show can go on - is there a continuity plan in place for VS?

    I would also really like to get an answer or at least a comment on this question before I can seriously start investing time and energy into learning VectorStyler and making it a tool of choice. Is there a contingency plan in place for VectorStyler that at this point is being developed by a single developer?


  • administrators

    @JuurGroove said in Affinity Designer vs VectorStyler:

    Is there a contingency plan in place for VectorStyler that at this point is being developed by a single developer?

    There are many single developer projects out there (including closed source), that worked out just fine without this kind of "official" contingency plan, that is all I can say.



  • @VectorStyler Honestly, that "worked out just fine" doesn’t instill too much confidence for the long term. But what I have seen so far plus the ongoing sale have convinced me enough for the time being. Thanks!



  • @JuurGroove said in Affinity Designer vs VectorStyler:

    @VectorStyler Honestly, that "worked out just fine" doesn’t instill too much confidence for the long term. But what I have seen so far plus the ongoing sale have convinced me enough for the time being. Thanks!

    You're absolutely right in your concern, and it is indeed a cardinal consideration when making acquisitions in a company. For some businesses or individuals, continuity in data formats, workflows between programs, and training (which creates the velocity that drives profitability or efficiency) is absolutely critical and non-negotiable.

    For others, it's a balancing act involving many factors. It dawned on me as I reflected on this just how many programs I've seen terminated in the last 10 years due to market-driven acquisitions: acquisitions followed by program shutdowns (algorithm purchases or hostile takeovers), portfolio reductions to cut costs, consolidation of programs and services for the same reasons, and finally, simply programs that no longer delivered the desired return or lost out to competitors. I've also experienced cases where one-person projects or small companies suddenly disappeared without further explanation. My point is that the market is dynamic and unpredictable, with shorter and shorter intervals between products being discontinued without more than a few months notice.

    Additionally, there are many other risks — such as the workload becoming too overwhelming to maintain, which can impact both stability and the release of new features, leaving users feeling neglected for years.

    So far, errors are being impressively fixed in VectorStyler, whereas the above issues have plagued Affinity users for a decade. As an Adobe customer, you get much more, albeit at a significantly higher price.

    If you're vulnerable, you might want to spread your risk a bit. Otherwise, betting on Adobe, which is likely to stick around for a while longer, might be a safer choice. 🙂